GUEST POST: On Tisha B'Av, Grief and Transformation After Assault, by Rabbi Amalya Volz

On seeking-- and finding-- God even in the horrors that defy explanation.

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Tonight begins Tisha B'Av, the 9th of Av, on which Jews mourn the destruction of the First and Second Temples by the Babylonians and Romans, respectively, the 1492 Edict of Expulsion from Spain, and many more great calamities over the centuries.

Here is a powerful Tisha B'Av supplement from members of the Halachic Left and All Thatā€™s Leftā€“ two Jewish anti-Occupation groups. Notably, it includes the text of Lamentations /Eicha typeset so that it has border commentary (Rashi/Tosafot style) comprised of stories from Gaza from this year. If you are able to (Trigger warning: there is violence, including against children, but I think they were careful in their selection of stories [[a]] ). Jews: No more looking away.

It also includes a Misheberach [[b]] for an End to Bloodshed, a thing I didn't understand I needed until I suddenly, desperately, understood that I'd needed it all along.

[[a]]: There is nothing I would categorize as graphicā€“ which is not to say "not brutal" or "acceptable."

[[b]]:A type of prayer that asks for divine blessing.

I've written about the sexual violence in the Book of Lamentations (read on Tisha B'Av) before, and when I read this powerful piece by the wonderful Rabbi Amalya Volz, I thought it might resonate profoundly with some folks, on a range of possible levels.

We will return with Part Three of our Jesus and the Rabbis conversation next week.

Trigger warning: Sexual violence, sexual assault. Also: Personal and theological healing and repair. ā¤ļøā€šŸ©¹

Also This? On Tisha B'Av, Grief and Transformation After Assault

by Rabbi Amayla Volz

When I was twenty, I was living in Jerusalem and was studying at the Conservative Yeshiva [[1]] for the first time. On the day before Tisha bā€™Av, I was walking home from a dinner and I was stalked and sexually assaulted by a stranger. Because of how the attack unfolded, I was genuinely surprised to have remained alive at the end. My entire life changed in an instant. I felt disgusting and violated in every way it is possible to feel violated. I suppose itā€™s because Iā€™m a very pragmatic person, but I basically told myself I was fine. Iā€™ve been through a lot of other challenging things in my life, and Iā€™ve never known any other way of dealing with them but to accept what happened and move forward.

I think I also didnā€™t want to accept the reality and depth of what had happened. I was recently watching a video of a woman telling the story of her rape, and she said that the most shameful part of it for her was that ā€œhe made me into a victim, and I didnā€™t want to be a victim.ā€ I was raised not to take nonsense from anyone, to not be anyoneā€™s doormat, and especially never to let a man define my reality or identity. This man invaded my life and body and forced me to become a victim to an unimaginable crime. He forced me to grapple with the fact that I am not the sole person in control of what happens to my body.

The assault itself was obviously extremely traumatic, but the fact that it occurred the day before Tisha Bā€™Av magnified the level of trauma to an unmanageable degree: Having grown up in a very secular Jewish context, this would be the first time I had ever heard of or celebrated Tisha Bā€™Av.

The very day after the assault, I was thrown into a holiday whose practices almost exactly mirrored the hell I was going through.

At every level of Tisha Bā€™Av, there is pain and personal resonance for me. The only word I know to call the experience, both of the assault itself and of Tisha Bā€™Av, is ā€œhorror.ā€

The first challenge is Eichaā€”the Book of Lamentations, which we read on the holidayā€”particularly the first two chapters. When we read the text, we see the story of an anthropomorphized female Jerusalem, who has been sexually brutalized and stands alone and humiliated. What is worse is the fact that the text positions this all as her fault, as a punishment from God. The words that she is calledā€”nidah (impure), davah (anguished), ervah (shameful)ā€”felt like taunts repeating the words that I already felt about myself in the aftermath of the assault. I felt like those words had been branded on my chest and represented what I was to the world now.

The refrain ā€œein menachem liā€ā€”ā€œthere is no one to comfort meā€ā€”was an echo of how alone I felt.

I suppose that some people would find it comforting to read a text that mirrors a personal experience of theirs, but for me it is too painful to listen to Eicha chanted. Rabbi Alan Lew wrote that

ā€œthe Great Temple of Jerusalem was the navel of the universe, the earthly locus where Israel felt its connection to the Divine Presence in a palpable way. So Tisha Bā€™Av is primarily about the loss of this connection and the calamity that comes in the wake of this loss.ā€

The experience of being assaulted tore away the sense of security that I had felt in my body; it made the walls come crumbling down. This was only reinforced by the fact that on Tisha Bā€™Av, we commemorate the exact same thing happening to the Temple.

And then there are all of the physical practices of Tisha Bā€™Av. Pretty much everything we are expected to do (or not do) to our bodies on the holiday is an exact mirror of how I treated myself in the few days after the assault. I couldnā€™t eat, I didnā€™t change my clothing, I didnā€™t shower or dare to look at myself at all. What I am doing right now is a retelling of my story, which puts me in a position of power and control, but undertaking these practices actually makes me relive the experience.

Obviously, there is no good day on which to be assaulted, but I believe that Tisha Bā€™Av is the worst possible day that it could have happened. I will never be able to escape this forced reliving of one the worst moments of my life. And itā€™s not as if Tisha Bā€™Av is really only one dayā€”itā€™s a weekslong process of mourning and afflictive rituals. Up until recently, I have always felt alone on this day; the fact that people arenā€™t even supposed to greet each other on Tisha Bā€™Av has made me feel like I and my experience donā€™t exist. The existence of Tisha Bā€™Av has made it nearly impossible to move forward in the way I have learned. Tisha Bā€™Av for me is really a yahrzeitā€“ the anniversary of a deathā€“ and itā€™s a yahrzeit that is so many times more difficult than my own fatherā€™s actual yahrzeit.

On Tisha Bā€™Av, I mourn the person I was before the assault took place.

It took me so long to use the term ā€œmourningā€ to describe my feelings, because I didnā€™t want to admit I would never be who I once wasā€”but that is the nature of sexual assault: You will never be the person you were before. I had to call this ā€œgriefā€ and learn to befriend my grief. I mourn my innocence, and the feeling of security in the world.

In 2022, I decided to light a yahrzeit candle to commemorate this experience. I also took the step of asking for a formal heter (rabbinic dispensation) not to be required to fast on this fast day from my rav, my rabbi, Eliora Peretz. I did this not because I need permission to take care of myself or because I canā€™t make my own halachic [Jewish legal] decisions, but because of the symbolism. To me, a heter is a formal acknowledgement from my tradition that what happened to me was real and significant. When I received the heter in my email, I was overcome with emotion. To read the wordsā€”in all capsā€”ā€œyou have a HIYUV [obligation] to eatā€ made me swell with gratitude and vindication.

I saw the musical Hadestown, which starts and ends with the same song and dialogue, last year. The story does not have a happy ending, but at the end of the show the characters start telling it again anyhow. The narrator says,

ā€œItā€™s a sad song, but we sing it anyway/ cause hereā€™s the thing / to know how it ends / and still begin to sing it again / as if it might turn out this time.ā€

I know that no amount of retelling will change the events that happened nine years ago, but I do feel that in the recitation I am able to reach new levels of peace and acceptance, and that something shifts internally each time I retell the story.

On Tisha Bā€™Av, we recall not only the destruction of both Temples, but also all calamities that occurred to the Jewish people on and around this date. Lew calls this ā€œthe way our tradition has collapsed history on this day.ā€

We have a tradition of kinnot (elegies) that we read, because Lamentations itself is not enough to narrate the various tragedies that took place on this day. Of course, I am writing about something that happened personally to me and not to the Jewish people as a whole, but I still feel that what I am doing here is a type of personal kinnah.

Lia Purpura, an author and poet, has an essay in her book On Looking in which she watches an autopsy take place. Standing next to the man she will soon see opened, she writes:

ā€œHave I thought of the body as a sanctuary? A safe, closed place like the ark from which the Torah is taken and laid out on a table to be unscrolled. The two sides parted, opened like, soon Iā€™d know, a rib cage, that a hand with a sharp-tipped pointer might lead the way over, reading toward depth.ā€

As I write about this story, I think of this visual that Purpura creates. I think of someone carrying my body around the synagogue and placing me on the bimah, cutting down my sternum, and opening my chest to reveal my beating heart. This is exactly what we do to the sefer Torah, the Torah scroll every week.

I think of how much vulnerability we ask of the Torah scroll when we read her, and how the klaf, the parchment is as vulnerable and internal as the human heart. By opening and unrolling the Torah scroll, we put it at risk of damage, but weā€™d never be able to read the stories inside without doing so.

To tell a story is inherently to open to a place of intense vulnerability and risk, but without doing so weā€™d never arrive at the heart of the matterā€”whether our own physical hearts or the beating heart of our people (the Torah).

At the end of one of my years of rabbinical school, my teacher, my rebbe, the aforementioned Eliora, gave me a leather-bound Tisha Bā€™Av machzor. That whole year I was able to work with her, both in our mussar class and individually, on so much of the theological pain Iā€™ve carried around. Itā€™s because of how she taught me and saw me that Iā€™m able to have the courage and wisdom to be here today. When she gave me this book, she told me that Tisha Bā€™Av would be a day that sheā€™d think about me for the rest of her life, but since she wonā€™t be able to be there with me in person, she wants me to have this piece of her on this day. The other thing about the siddur is that it is hardcover. Recently, my friend Rabbi Tanya Farber was telling me about how thereā€™s a chumra (stringency) only to print kinnot, elegies in paperback, so thereā€™s an extra meaning to the fact that this siddur is hardcover and leather-bound. Itā€™s a way of stating that my pain is real and permanent, something that tangibly exists in this world.

The question of where to locate God in all of this had eaten away at me for years. Being assaulted completely shattered my theology. I couldnā€™t understand how God could have done this to me, or how I could even be able to believe in God in the face of what Iā€™d gone through. I wanted to know why this happened and for years was unwilling to accept that there would never be a legitimate answer found. There were times I wanted nothing to do with observance or religion.

One of the things Iā€™ve recently realized, though, is that to blame God is to say that the fault does not lie with my assailant.

In a sermon on the Ten Commandments, Rabba Tamar Elad-Appelbaum says that the word anochi (ā€œIā€ or ā€œI am,ā€ the first word of the Ten Statements, as we call them) is foundational to an authentic Torah-based life. She says:

ā€œanochi is the story that I bring with me when I experience the law.ā€

Laws donā€™t hold any meaning unless someone is brave enough to come forward and say anochi, to say that something difficult happened to me. [[2]]

This is also what God does, and did. The Mekhilta dā€™Rabbi Yishmael teaches that when God stood and said ā€œanochi,ā€ the mountains and hills shook and collapsed. In the Zohar, Rabbi Yosi says that ā€œanochiā€ is the name of the Shekhinaā€“ the immanent aspect of the divine. Rabba Tamar uses these texts to teach that the purpose of Jewish law is to uncover injustices that might be hidden from us, and that the existence of these laws is testament to the ways that humans have hurt each other.

By telling my story today, I am saying anochi, I am saying #MeToo, and I am bringing this experience from a place of darkness out into the light. Oraitaā€”the Aramaic word for the Torahā€”has at its root the word or, light, and I am using Torah as a vehicle for shedding light on what happened to me.

One piece that was transformative in my theological healing came from Rabbi David Weiss Halivniā€™s The Book and the Sword.

Halivni was a Holocaust survivor, and talks about his belief that God detests people who try to theologically justify the Shoah, or to even ask the question of why God let it happen. To ask this question is to assert that an answer exists, to imply that there is a justification for the Holocaust.

He argues that even asking this question increases the suffering of the victims and survivors, and also removes due blame from the actual perpetrators, the Nazisā€”his exact words are,

ā€œThe very question reduces the innocence of the victims and the culpability of the perpetrators.ā€

There are certain events that exist without any explanationā€”Halivni argues that both Revelation and the Shoah are examples. I feel comfortable putting my assault in this category as well: It simply happened, and I donā€™t need to ask why. I love this idea that God hates that I would even ask myself why it happened, and Iā€™m in a place where I feel confident that God also hates the fact that I was assaulted.

This brings me back to Rabba Tamarā€™s dā€™var Torah. She says that the Ten Commandments show that the Shekhina was hurt by human misdeeds, but chose to stay in this world and give us the Torah anyhow. God saw humans hurting each other, and spoke out to say anochi and give us laws to teach us how not to treat each other. The Shekhina didnā€™t have to stay in this world with us, but she did.

This idea feels very close to my own experience: I could have easily chosen not to stay in the world of Torah, of God, and of observance, but I did. Even though itā€™s been very hard for me. Listening to peopleā€™s stories is making room for the Shekhina to say anochi, to tell us that she is hurting.

When I hurt, I know that God hurts along with me.

Tisha Bā€™Av ushers in the theme of teshuvahā€“  repair, returnā€“ that will carry us through the High Holidays. Iā€™ve always struggled with this on Tisha Bā€™Av, because I was primarily thinking about the concept of teshuvah through the translation of ā€œrepentance.ā€ Obviously, I canā€™t accept the thought that I have anything to repent for in this situation. However, Iā€™m now thinking about teshuvah through the translation of ā€œreturning.ā€

My teshuvah here is that over time, I have been able to return to God, to return to the pure core of my soul that even my assailant couldnā€™t touch.

The writer Amy Berkowitz, in her book of poetry about experiencing rape, writes: ā€œAnd in order to understand the impact of rape, we need more images on how rape stays with usā€”i.e., itā€™s not just something that happens one night.ā€

I want to take it a step further: We need more stories about what recovery after sexual violence looks like, not just psychologically but also theologically and spiritually. Of course, no two stories of post-survival will look identical, but my understanding of how badly I could have used a story like this eight years ago fuels my drive to be here today.

My great-grandfather, who was a Holocaust survivor, left an archive of nearly 2,000 pages, which he donated to the Leo Baeck Institute. While reading through this treasure trove, I came across a family story that he had written out. He told how his mother-in-law (who would later be killed at the Sobibor extermination camp) was in possession of a treasured siddur, prayerbook, that had been in the family for several generations. The Nazis burned this book on the night of Kristallnacht when they broke into the family home. My great-grandfather Karl was the one who had to tell my great-great grandmother of the fate of the book. His words exactly:

ā€œShe cried. Then, calmly, she said: 'Gam zu lā€™tova (this too, is for the good).'ā€

I was floored, almost to the point of anger, the first time I read this. How could she have possibly thought or said that this was all for the good?

Painting of two figures, similar to each other, though one is blue and one is more violet-toned. The violet figure wears a shirt that says #MeToo and the blue figure holds a copy of lamentations
Painting by Rabbi Volz. The Hebrew above says, "This, too, is for good?" Volz is holding a copy of the Mahabharata and Ahalya is holding a copy of the Book of Lamentations.

My great-grandfather and I have both made our personal stories of pain into kinnot. After I read this story, I made a painting in which I portrayed myself standing next to Ahalya, a character from the Mahabharata who experiences sexual violence and is punished by being made invisible. I wrote ā€œGam zu lā€™tovaā€ with a question mark, questioning the limits of the phrase and whether or not its use normalizes the trauma of women.

Now, five years after first reading the story and making the painting, I have a new appreciation for this phrase. Gam zu lā€™tova is not saying that this experience is good or that it was good that I was assaulted. This is what I previously had thought it had to mean. I think the key to understanding the phrase lies in the lamedā€”my assault isnā€™t tov, but it can be used leā€™tovā€”for the good.

Obviously, what I went through was and still is terrible, and I wish that I had the power to prevent any other person from experiencing something similar.

However, I can find good in this experience. I can use it for the good, and I can draw good out of it.

My assault happened in the dark, but by talking openly about it Iā€™ve taken in so much light.

I know that I can also use what I went through as a light to other people. Even in the most bitter and most horrible of times, there is still abundant light and abundance of Godā€™s presence.

I feel that finally, I am in a place where I can pick up the pieces of what happened to me on this day, hold them in my hands, stand in line behind my great-great grandmother, and utter: gam zu lā€™tova.

Rabbi Amalya Volz is a chaplain, spiritual leader and seeker, social justice organizer, and teacher of Jewish texts who was ordained as a rabbi by the Jewish Theological Seminary in May, and simultaneously received a MA in Jewish Women and Gender Studies. Rabbi Volz has served in both informal and formal roles in a number of communities in Ohio and New York, including the Cleveland Partnership Minyan, Oberlin Hillel, the Beis Community, and the Fort Tryon Jewish Center. She is passionate about writing and her publication credits include Hey Alma, eJewishPhilanthropy, Tablet, and the Times of Israel. She received a BA in Jewish Studies from Oberlin College. Follow her on Instagram.

Binding Love and Loss - The Digital Home for Conservative Judaism

FOOTNOTES

[[1]]: In Judaism, "Conservative" is not necessarily a reference to a political orientation, but is rather a denomination that broke away with the Reform movement shortly after its Enlightenment-era origins. The name comes from the desire to live in the modern world but to conserve certain aspects of the tradition (say, keeping more Hebrew in the liturgy, having a more evolutionary relationship to Jewish law, etc.)

[[2]]: Donā€˜t murder? Donā€™t exploit the non-citizen? Donā€™t take bribes if youā€™re a judge? Every sign has a story, and so does every law.

This post is a reprint of a publication by Tablet, run with permission of the author. Original here.

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